Wednesday, 4 April 2007
Being taught on KYSD
Reaction on "love is a fallacy"
As I read the story,I really appreciated the main character. He must really be a nice,kind and sensitive. He did everything for the girl and choose to spend the rest of his life just for that girl he loved. That what we men should to the one you love!.But it still ends up that the girl choose the main character's friend over him,and the worst thing is that Polly choose Petey over him just because he had a raccoon coat. She only liked him just because of that material thing that made him belong to the “Tough Guy” in school, what a dumb reason,right? (But that's just my point )...But how can she choose Petey over this guy who did everything for her and was so true to his feelings? The guy who choose to be with her than Petey, the one she barely even know most especially when it talks about sincerity of love.
For me, love cannot bemeasure on the money and the things he will give to you. If he gives you flowers and chocolates or not. If he spends a lot on your dates and always treat you for a dinner and an outing. But love? It's how sincere the person is, of how a person is ready to sacrifice his/her happiness to the one he/she love. Most especially? It's not important for me if “my girlfriend” is famous and popular and is known to be one of the known girls, who got the cutest look and used to wear those cute bracelets,earings and other girl stuffs,but what matters most is that i know she is worth to be my girlfriend and I love her not just because of any material things but by the real her without those factors that makes her a“popular girl!”
I really don't have an idea why the story is entitled as “Love is a Fallacy”. Fallacy is defined as erroneousness, an invalid reference or the quality of being deceptive. But is love really a false motion? Maybe when people say that they are not ready yet for that love stuffs and they have their other priorities. But you never choose the person you fell in love to. Most especially you'll never know when that happens and why that happens. So, when love comes your way, you can never avoid it and especially love can never be a false motion because falling in love is beyond ourimaginations.Well,in some points of our everyday lives,things happen for a reason just when she knocks my door and let her in for she has a reason knocking my own door.
The story is reflecting on you. Sacrifice is the key so that the one you love will also love you.
Sunday, 1 April 2007
What a UP student is not
UP students for me, are naughty. Yes, we are nauhgty. I can say that because many of my schoolmates, including me, always breaking the rules. Even on simple rules, they are not following it just like on forming straight line during flag ceremony. They just can't follow it. Almost all second year boys don't like to have haircut every month so we are always included in the list. UP students are always debating for what they are thinking is right aside ffrom just taking the truth.
Up students are also cheaters. I can say that we arecheaters because if we have assignments, we don’t do it at home. We do it at school so that we can copy the correct answers of our classmates. Up students are also dead liners. Yes. It is true. Whenever we have projects, there are just few students who pass their projects ahead. Most of them pass their work during the deadline and some even pass their projects days after the deadline. In fact there are also students just don't pass projects.
Another is that, UP students are not good in all subjects. In fact, many of us in our classroom are struggling to get a high grade in Mathematics which is the most difficult subject when you are in UP. This really is a hard subject for us. There are also students who are struggling in English. Not all UP students are good in speaking English. Many of us don’t know much in speaking English but we are still practicing and we are doing our best in order to develop our speaking skills. There are also many students especially in the second year who are struggling in the subject, Social Science. Bad to say but it is true. When I was in elementary, our social science was very easy but now in UP, it is very hard! I don't know what makes it difficult but it is.
Most of all, UP students are not shameful. In short, we have no shame! In fact, one fourth year student before told me that, if you enter UP, you should have no shame because it has no use. Before, during my elementary years, I am a shameful and silent kind of person and I am ashamed to show what I’m really is but as I entered UP, it seems like my face doubled or maybe tripled! I have slowly developed and got rid of being a turtle hiding in its shell. I now show people what really Allan is and what my real attitude is.
Now, think about it. Do you think UP students are what you are thinking? You better think twice.
summary of Max Schulman's Love Is a Falacy
Monday, 26 March 2007
My top 3 FaVoRiTe SonGs By M.C.R.
One is the song "ghost of you". It describes the feeling when you will be away from your loveones. The song goes this way:
If I died, we'd be together now
I can’t always just forget her
But she could try
At the end of the world
Or the last thing I see
You are never coming home
Never coming home
Could I, should I
And all the things that you never ever told me
And all the smiles that are ever, ever, ever
Get the feeling that you’re never
All alone and I remember now
At the top of my lungs, in my arms she dies
She dies
At the end of the world
Or the last thing I see
You are never coming home
Never coming home
Could I, should I
And all the things that you never ever told me
And all the smiles that are ever gonna haunt me
Never coming home
Never coming home
Could I, should I
And all the wounds that are ever gonna scar me
For all the ghosts that are never gonna catch me
If I fall
If I fall (down)
At the end of the world
Or the last thing I see
You are never coming home
Never coming home
Never coming home
Never coming home
And all the things that you never ever told me
And all the smiles that are ever gonna haunt me
Never coming home
Never coming home
Could I, should I
And all the wounds that are ever gonna scar me
For all the ghosts that are never gonna
I never want to let you down or have you go
It's better off this way
For all the dirty looks
The photographs your boyfriend took
Remember when you broke your foot
From jumping out the second floor
I'm not okay
I'm not okay
I'm not okay
You wear me out
What will it take to show you that it's not the life it seems
(I'm not okay)
I've told you time and time again
You sing the words but don't know what it means
To be a joke and look
Another line without a hook
I held you close as we both shook for the last time
Take a good hard look
I'm not okay
I'm not okay
I'm not okay
You wear me out
Forget about the dirty looks
The photographs your boyfriend took
You said you'd read me like a book
But the pages are all torn and frayed
I'm okay
I'm okay
I'm okay, now
(I'm okay, now)
But you really need to listen to me
Because I'm telling you the truth
I mean this, I'm okay
(Trust me)
I'm not okay
I'm not okay
Well, I'm not okay
I'm not o-fucking-kay
I'm not okay
I'm not okay
(Okay)
My father took me into the city
To see a marching band.
He said, "Son when you grow up,
would you be the savior of the broken,
the beaten and the damned?"
He said "Will you defeat them,
your demons, and all the non-believers,
the plans that they have made?"
"Because one day I'll leave you,
A phantom to lead you in the summer,
To join The Black Parade."
When I was a young boy,
My father took me into the city
To see a marching band.
He said, "Son when you grow up,
would you be the savior of the broken,
the beaten and the damned?"
Sometimes I get the feeling she's watching over me.
And other times I feel like I should go.
And through it all, the rise and fall, the bodies in the streets.
And when you're gone we want you all to know.
We'll carry on,
We'll carry on
And though you're dead and gone believe me
Your memory will carry on
We'll carry on
And in my heart I can't contain it
The anthem won't explain it.
A world that sends you reeling from decimated dreams
Your misery and hate will kill us all.
So paint it black and take it back
Let's shout it loud and clear
Defiant to the end we hear the call
To carry on
We'll carry on
And though you're dead and gone believe me
Your memory will carry on
We'll carry on
And though you're broken and defeated
Your weary widow marches
On and on we carry through the fears
Ooh oh ohhhh
Disappointed faces of your peers
Ooh oh ohhhh
Take a look at me cause I could not care at all
Do or die, you'll never make me
Because the world will never take my heart
Go and try, you'll never break me
We want it all, we wanna play this part
I won't explain or say I'm sorry
I'm unashamed, I'm gonna show my scar
Give a cheer for all the broken
Listen here, because it's who we are
I'm just a man, I'm not a hero
Just a boy, who had to sing this song
I'm just a man, I'm not a hero
I! don't! care!
We'll carry on
We'll carry on
And though you're dead and gone believe me
Your memory will carry on
We'll carry on
And though you're broken and defeated
Your weary widow marches on
Do or die, you'll never make me
Because the world will never take my heart
Go and try, you'll never break me
We want it all, we wanna play this part (We'll carry on)
Do or die, you'll never make me (We'll carry on)
Because the world will never take my heart (We'll carry on)
Go and try, you'll never break me (We'll carry)
We want it all, we wanna play this part (We'll carry on)
The history Of The DrUm Set

The drummer uses drum sticks to strike the drum head and to create a vibration. Bass drum pedals are used for the bass drum. The hi-hat is usually controlled also by a pedal, connected via a stand.
Early drum kits were known as traps (from contraption). Though this term is now uncommon, it survives in the term trap case still given to a case used to transport stands, pedals, sticks, and miscellaneous percussion instruments, still commonly called traps.
Early kits usually consisted of a bass drum, a snare drum on a stand, a small cymbal and other small percussion instruments mounted on the bass drum or a small table, all played with drum sticks or brushes except for the bass drum. This drum is operated with one or more mechanical pedals. Due to being played with the foot (and to help distinguish from the bass guitar or string bass), the bass drum is also often referred to as the "kick" drum. The drum set was not invented by one person, but instead was developed by a number of people who made various contributions to it. For example, Ulysses Leedy contributed the adjustable snare drum stand and pearl coverings which made a difference in the appearance of the drum set. Robert Danly invented the throw-off snare strainer which also made it easier to turn the snare on and off during drumming. William F. Ludwig built a foot pedal that could withstand high speeds so people could play the bass drum faster. The hi-hat contribution came after the snare drum stand and the foot pedal. The inventor of the hi-hat is not certain, but Barney Walburg may have been responsible. Papa Jo Jones was one of the first and greatest artists of the hi-hat. All of these different parts formed a full drum set as we know it today.
The first drums sets were made differently than they are currently made today. The rims of the first drums were made of wood. Later, some people started to make metal rims. Instead of drum stands, the drums were all attached to a large bass drum on metal racks. Drummers took anything they could think of and put it on the tray, called the traps, on top of the metal rack.
The first drums used calfskins for the drum heads, but they broke easily. Many people started making plastic heads for drums that would hold up better, but some plastic heads were better than others. Marion Evans invented the first plastic head in the mid-1950s. The Evan’s Heads Company was later formed. In 1957, Remo Belli and Sam Muchnick together developed a plastic head that became the most popular head. Remo Belli was the world’s leading producer of plastic heads.
Cymbals were introduced to the drum set when people found a way to hang them above the drum set. The first cymbals that people used were cheap, small, and were suspended from curtain cords. When Zildjian cymbals began to be produced in the United States in 1929, higher quality and larger cymbals were available, but they were still suspended from curtain cords. Gene Krupa, a famous drummer, finally invented a stand for the cymbals because the curtain cords could not hold the larger cymbals properly. As cymbals became more popular, Zildjian started producing more cymbals of different types, sizes, and sounds. Drum sets started to expand because more cymbals could fit around the drum set because of the stands.
The history of cymbals in the United States comes from the Zildjian family. The first Zildjian cymbals were made in Turkey in 1618 by Avedis Zildjian. The history of modern day cymbals began in 1929 when Avedis Zildjian III set up a Zildjian cymbals company near Boston. Producing the Zildjian cymbals was a family tradition that was passed down from father to son. The Avedis Zildjian Company eventually became the world’s largest producer of cymbals. Before Avedis Zildjian III died, he passed the secret of making Zildjian cymbals to his two sons’, Armand and Robert. Robert later left the Zildjian Company and formed the famous Sabian Cymbal Company in 1981.
AgEnT ZeRo0Oo!.!.!.!.

From the time of his entry into the league, Arenas's popularity soared. He transformed himself from being a relative unknown to being voted by fans as an All-Star starter for the Eastern Conference in 2007. Arenas overcame a 213,000 vote deficit at one point to edge out Vince Carter by just over 3,000 votes for the second of the two starting guard spots, the other spot going to Dwyane Wade.
Arenas had a disappointing first season with the Wizards, battling a strained abdominal muscle injury all season. However, Arenas enjoyed great success in his second season in Washington. He teamed up with shooting guard Larry Hughes (22.0 points per game) in 2004-05 to give the Wizards the highest scoring backcourt duo in the NBA and was selected to his first NBA All-Star Game. He guided the team to a 45-win season and its first playoff berth since 1997. Arenas led the team in scoring with 25.5 ppg, and finished seventh in the league in that category. He also finished sixth in the league in steals per game in 2004-05 with 1.74 (Hughes led the league with 2.89 steals per game).
Known for his fierce competitiveness and somewhat unusual behavior, Arenas quickly became a fan favorite in Washington. In the fifth game of the first round of the Eastern Conference playoffs in 2005, Arenas hit a 16-foot fadeaway as time expired to give the Wizards a 112-110 victory over the Kirk Hinrich-led Chicago Bulls. On January 3 of the 06-07 season, Arenas hit a 32-foot buzzer beater to win the game against the Milwaukee Bucks, 108-105. Two weeks later on Martin Luther King Day he hit yet another buzzer-beating three pointer to beat the Utah Jazz, 114-111, in a thriller at the Verizon Center. He also hit a game winning layup as time expired to beat the Seattle Supersonics on March 22, 2007.
My Chemical Romance

The first recording sessions were done in Matt's attic, where the songs "Our Lady of Sorrows" (then called "Bring More Knives") and "Cubicles" were recorded. Mikey Way, the younger brother of Gerard, loved the demo so much that he decided to join the band.
My Chemical Romance was signed with Eyeball Records and played in the same room as Pencey Prep and Thursday. It was there that the band met Frank Iero, the lead vocalist and guitarist for Pencey Prep. After Pencey Prep broke up in 2001 or 2002, Frank became a guitarist for My Chemical Romance, just days before the band's debut album was recorded.
Three months after the formation of the band they recorded their debut album, I Brought You My Bullets, You Brought Me Your Love, subsequently released in 2002 on Eyeball Records. Despite only joining the band a few days before the album recording sessions began, Frank Iero played guitar on two of the tracks, one of them being "Early Sunsets Over Monroeville".
It was during this time that the band replaced their drummer, Matt Pelissier with Bob Bryar, after they went to Japan in July 2004. The true nature of Pelissier's departure was due to an argument with band member Ray Toro or as a result of mistakes made by the drummer during live performances.
At the start of 2005, the band was directly supported on the first ever Taste of Chaos tour, and was also the opening act for Green Day on the American Idiot tour. Later that year MCR co-headlined and headlined their own tour with Alkaline Trio and Reggie and the Full Effect, around the US.
That same year My Chemical Romance and The Used collaborated on a cover of the David Bowie and Queen classic "Under Pressure" that was released as a benefit single on iTunes and other Internet outlets.
Ray Toro -Raging on his career! ! ! ! !

In a band, the lead guitarist is the most busiest for me because it needs quickness in your hands to play a single song. In the band My Chemical Romance, Ray Toro is on it.Raymond Toro Ortiz (Ray Toro) was born July 15, 1977 in Newark, New Jersey. He was born with brown eyes, and grew up to be 6'1''. Growing up, his mother was always very protective, and in junior high to impress a girl he stuck a piece of Runts candy in his nose (like a booger), but it ended up getting stuck in his nose and he had to go to the nurse to get it taken out. He went to the same high school as Gerard & Mikey, and they were 'loose friends'. He also used to have a pet dog called Boy, growing up in a Puerto Rican and Portuguese household. His childhood neighborhood was a strange one, and Ray has said that there were drug addicts overdosing outside his house. As a child, he was not allowed to go outside much because there were bodies always being found in the park and lake near his home.
Ray and Gerard reconnected with each other at an Iron Maiden concert, and the two, along with Matt Pelissier, formed My Chemical Romance. He is the lead guitarist for My Chemical Romance. Toro is in large part responsible for all the My Chemical Romance instrumentals, as well as writing the majority of My Chemical Romance's music, and often helps Frank write his guitar music. He plays a SG Gibson Guitar: SG Series, which has a mahogany body with a rosewood fingerboard. Ray has been credited as a "metalhead" by My Chemical Romance bassist, Mikey Way, for his love of bands such as Mudvayne. He plays an Epiphone Elitist Les Paul guitar which has a mahogany body with maple cap and rosewood fingerboard.
Toro has many influences on his guitar playing. Some of these would be Stevie Ray Vaugh, Jimmi Hendrix, Eric Clapton, Tony Iommi, and Jimmy Page. Ray grew up listening to his brother’s classic rock albums, and always loved great guitar rifts. He has said that all of his guitar playing was mirrored after these rock legends.
His favorite band is Iron Maiden, but still makes time for classic music every now and then. A few injuries he's gotten over the years include "Guitar Burn". It's similar to rug burn, and generally affects the forearm area; some specialists attribute it to sweat, friction, and intense rocking. A large gash in the head, caused by getting cracked in the head with Frank's guitar. Oh, and one brutally nasty hangnail. Toro wears contacts and has a girlfriend named Christa.
Ray does not like to read. His trademark is his afro, and he doesn’t mind people touching it. Understandably, Ray does not like people pulling on his hair. Mikey once straightened his hair. Ray did not like it, but the rest of the band did. Ray does most of the guitar solos in the songs. He cannot cook at all, unlike his fellow band mates. Ray is the most physically active member of the band. He runs everyday, and keeps weights in the back of the tour bus when My Chemical Romance is touring. The members of Alkaline Trio once asked him to play on a song of theirs.
Thursday, 22 March 2007
Gerard Way (EmO)
MickeY Way in MY CHEMICAL ROMANCE

Electric bassists play the bassline, which is a single low-pitched monophonic line of music. In most jazz, rock, and pop genres, the bass line outlines the harmony of the music being performed, while simultaneously indicating the rhythmic pulse. In addition, there are different standard bass line types for different genres and types of song (e.g. blues ballad, fast swing, etc.). Basslines often emphasize the root, third, and fifth of the chords of the music. In addition, pedal tones (a repeated or sustained single note), ostinatos , and bass riffs are also used as bass lines.
Though less common, some bass players employ a polyphonic style of playing instead of a single-note melody, using full chords and double-stops to accent their basslines.
Mikey Way was born in Newark, New Jersey, USA. Although born in Newark, Mikey was raised in Belleville. He then, returned to Newark to live with his brother. Way is the younger brother of My Chemical Romance frontman, Gerard Way. He and Gerard are maternal second cousins of Joe Rogan, host of the NBC game/stunt show Fear Factor and former cast member of the sitcom News Radio. He is of Scottish and Italian descent. He came up with the band's name, taken from the book Ecstasy: Three Tales of Chemical Romance, by Irvine Welsh, while working at a Barnes and Noble bookstore in Clifton, New Jersey. Mikey had been working in the music section of the store, and had decided to take out the books to discuss with a coworker. Mikey also got his brother Gerard a job there working in books. Early on in My Chemical Romance's career, it was said that Way learned bass in order to be able to play in the band, which lacked a bassist at the time. But during interviews with Way in their DVD release, Life on the Murder Scene, Mikey claims that he had been an amateur musician since he was young and was in bands as a bassist before MCR. He plays a Highway 1 Precision Bass, a Fender Standard Precision Bass, and a Fender J. Mikey Way had been known for his trademark glasses to correct his nearsightedness, but had Lasik eye surgery and no longer wears them.
While recording The Black Parade, Mikey had been having trouble dealing with personal problems, which caused him to leave the band temporarily, and almost caused them to break-up completely. He said in an interview with Alternative Press, In the December 2006 issue of Blender magazine, Mikey explained his anxiety about his ability to play. He said, "Here I was, I finally had everything I'd struggled for my whole life, and it wasn't fun anymore. I was standing on the stage looking out, and not enjoying it at all."
Mikey left the band to live with My Chemical Romance attorney and "band mom", Stacey Fass. He went through intense psychotherapy and saw a therapist four times a week. After several weeks, he was diagnosed with Bipolar Disorder. After receiving therapy, he returned to the recording studio as a commuter.
The Philippine National Basketball Team
The
The story began on
While both parties, with the involvement of the Philippine Basketball Association, the Philippine Basketball League, the UAAP and the NCAA, reportedly agreed on an agreement on the formation of a new national team, things soon returned to the usual verbal war. The POC, through a vote, first suspended, then in a later meeting, expelled the BAP as the official National Sports Association (NSA) member and installed a new member in the Philippine Basketball Federation. The BAP, under new President Joey Lina, said that the expulsion was unconstitutional in the by-laws of the POC.
The situation worsened, when both parties still could not agree on who will banner the national for the Southeast Asian Basketball Association tournament, a qualifier for the FIBA-Asia tournament in
In hopes of securing a long term solution, FIBA, in a memorandum, ordered the PBA, PBL, UAAP, NCAA and Joey Lina (as a person or in Lina's claim, as a representative of the BAP) to form a new constitution or a formation of a new basketball body.
By March 2006, four stakeholders have signed into the propose new basketball body, which later named as Pilipinas Basketball. Lina, however, has refused to sign on the memorandum, citing unbalanced factors that was put in the draft for a new body. After the four stakeholders met with Baumann in South Korea, the suspension was not even lifted nor was the draft for a new body was even accepted since Lina has not signed it.
However, in a significant move by both Pilipinas Basketball and the BAP at the FIBA Congress in
On February 24, a day after the 2006-07 PBA Philippine Cup Finals, national team head coach Chot Reyes announced the composition of the national team for the 2007 Southeast Asia Basketball Association (SEABA) tournament. The finalists of the said tournament would qualify for the 2007 FIBA Asia Championship, the qualifying tournament for the 2008 Olympic basketball tournament
Guard- Jimmy Alapag- 1977 - Talk 'N Text Phone Pals
Guard- Dondon Hontiveros -1977- San Miguel Beermen
Guard -Jayjay Helterbrand- 1976- Barangay Ginebra Kings
Guard- Mark Caguioa -1979 Barangay Ginebra Kings
Forward- Danny Seigle- 1976- San Miguel Beermen
Forward- Tony dela Cruz- 1978 - Alaska Aces
Forward- Kerby Raymundo -1980 - Purefoods Tender Juicy Giants
Forward- Ranidel de Ocampo -1981 - Air21 Express
Center -Asi Taulava- 1973 - Talk 'N Text Phone Pals
Center- Mick Pennisi -1975- Red Bull Barako
Alternates/Reserves
Forward Enrico Villanueva 1980 Red Bull Barako
Center Rommel Adducul 1976 San Miguel Beermen
Center Rafi Reavis 1977 Barangay Ginebra Kings
Forward Rudy Hatfield 1977 Barangay Ginebra Kings
Wednesday, 21 March 2007
Road Rage: True Hell on Wheels
The 74-mile drive on Interstate 83 was one Eck had made every workday for 12 years. He knew rush-hour traffic near York, Pennsylvania, would be thick this Friday as people hit the road for the weekend. So far, though, his green Chevrolet Impala was moving smoothly along with the traffic heading north.
Before taking the forklift job, Eck, 44, drove tractor-trailers cross-country, and he sympathized with the truckers around him. I-83 gave drivers, especially those behind the wheels of lumbering 18-wheelers, little margin for error in case of an accident or emergency. Its left and right shoulders were small, making it difficult for stranded motorists to pull over safely. A low concrete barrier divided the narrow four-lane highway. Meanwhile, steep, rocky hillsides closed in on the northbound side, while a bluff to a lake fell away sharply from the southbound lanes.
At about 2:50 p.m., Eck was driving 65 m.p.h. in the left lane, north of Exit 3. In front of him was a blue Peterbilt 18-wheeler, followed by several cars. As they approached the base of a steep hill, Eck saw that the truck, with two earthmovers chained to its trailer, was too heavy to make the steep incline at highway speed.
Yet the trucker wasn't shifting to the right lane so faster vehicles could move by on the left. Eck decided to pass the truck on the right to avoid being trapped behind slower traffic. He signaled, swung out, passed the truck, signaled again and returned to the left lane.
Climbing the hill, Eck had to decelerate as he approached a slower car ahead. Suddenly he felt a tap at his rear bumper, the kind of contact one might make with another car while maneuvering into a tight parallel-parking space. Eck glanced up to see the Peterbilt's chrome grille filling his rearview mirror.
It was a slight impact, but there might be damage. Eck and the trucker would have to exchange insurance information. This was the last thing he needed. If he was more than a half-hour late for work, he'd be docked a day's pay.
Eck knew there was no room on the left shoulder. So, frustrated, he looked to the right, hoping traffic would let up and that he and the trucker could pull off. But the right lane was now clogged with cars.
As the lane cleared, Eck waited for the Peterbilt to merge right. But the trucker wasn't trying to pull off. What was he doing? Suddenly Eck found out. Bang! With a sickening thud the two bumpers collided, the truck's steel against the Impala's plastic. Eck's mouth went dry with fear.
The severe impact on the Impala slammed Eck's seat back on its rails, whipping him like a rag doll. His engine was dead. He tried twisting the steering wheel; it barely budged. The power brakes, too, hardly responded when pressed. He's intentionally ramming me, Eck thought.
Behind him he could hear the whine of the downshifting gears and the snarl of the diesel engine as the truck surged forward. Once more Eck was whiplashed. Now the 18-wheeler was shoving Eck's car up the hill like a hockey player pushing a puck. Without power, steering the Impala was barely possible. Its extra-wide tires created drag on the road; it was like the car was driving through wet concrete.
Gripping his steering wheel with his left hand, Eck punched 911 on his cell phone, a hands-free model with a microphone affixed near the driver's-side sun visor. "I just got rear-ended on 83 three times by a Peterbilt," Eck said, his voice tight with panic. "Can you help me?"
Dispatcher Vincent Brown at the Pennsylvania State Police barracks near Exit 3 questioned the driver about his position. Eck shouted, "I'm being pushed, literally." Trooper Serell Ulrich was in the station and heard the frantic call. "I'll handle it," Ulrich told Brown. It was about 2:55 p.m.
Ulrich sped onto the I-83 ramp at Exit 3. Farther north, he came upon a rolling roadblock with rubberneckers from the violent truck-car encounter. Traffic in both lanes was clogged. By his clock, the confrontation was over ten minutes long. Could the driver hang on?
Michael Eck was breathing in ragged gasps, trying to keep the Impala in the left lane. The truck driver continued to surge ahead, smashing into the car's rear bumper. Each time the car shuddered from the force. Eck knew that his car couldn't take the punishment much longer. "Where's that officer?" he yelled into the phone.
With the speedometer dead, he estimated they were rolling 40 m.p.h. uphill, 50 on the flats. As he approached Exit 7, escape appeared impossible. The stream of traffic to the right was too thick to change lanes. With a stiff steering wheel and almost no brakes, the task was even harder.
Yet when Eck suddenly saw a break in the right-lane traffic, he seized the chance. Throwing his whole body into it, he yanked the steering wheel hard to the right. The car veered into the lane, and Eck's chest heaved with relief. But with a stab of terror, he watched the Peterbilt shift right, too, and felt it slam into him with bone-crunching force.
Eck had lost count of the collisions in his confrontation with the truck. In a shrill voice tinged by desperation, he screamed at Brown over the phone line, "He hit me again."
Boxed in by the traffic, Ulrich finally reached the narrow left shoulder. With only inches of clearance between his car and the concrete barrier, he crawled north. The incident between the driver and trucker was now over 15 minutes in duration.
With the Peterbilt's front bumper now hard up against the Impala's bumper, the trucker began to swerve, sweeping the car back and forth in front of it. Ahead on a steep hill, Eck saw another tractor-trailer moving slowly in the right lane. He could visualize what would happen next. The Peterbilt was pushing him toward the rear of the other truck. The gap between the two tractor-trailers and the powerless Impala was closing fast.
I'm going to die, Eck thought. He couldn't let himself be crushed, but how could he escape? He checked the rearview mirror -- there was traffic in the merge and right lanes, but the left lane was clear. Eck gripped the door handle. Before he hit that truck, he would pop the door and bail out.
Then the sheer desperation of the idea seized him. If he survived hitting the road at 40 m.p.h., the Peterbilt might still run him over. But at least there was a chance he'd survive the nightmare. Staying in the car, Eck believed, was certain death.
The truck ahead loomed larger. Eck's fingers twitched on the door handle. Ten seconds, nine, eight ... Suddenly his attention was drawn to a flash of light speeding past on the right.
Trooper Ulrich had broken free of the traffic and shot up the roadway. He saw the 18-wheeler, the Impala in front of it. Ulrich raced past and flagged the vehicles over to the side of the road. The truck braked and the Impala drifted to a stop. Ulrich got out of his patrol car. The idling truck's engine growled like a beast struggling against its restraints.
As he cautiously approached the Peterbilt, the trooper saw that the driver was a slight, stooped 65-year-old man with thinning white hair. "What's going on?" Ulrich demanded.
James Trimble was shaking with rage. "This guy cut me off." Then he added in a hot surge of anger, "So I hit his car to get him out of my way."
Ulrich later determined that Trimble had smashed and pushed Eck for 12 miles up I-83. This outburst of uncontrolled road rage lasted more than 20 minutes.
Trimble was charged with two counts of aggravated assault and numerous driving offenses. The trucker pleaded guilty to one count of aggravated assault and six lesser charges, agreeing to undergo psychological evaluation and to surrender forever his commercial driver's license.
Trimble declined Reader's Digest's request for an interview. But at his March 2001 sentencing, he claimed Eck repeatedly cut in front of him and slammed on his brakes as if intent on forcing him to hit him. He also said he called for assistance on his CB radio, and that he wasn't aware Eck's car was disabled. Trimble was sentenced to a prison term with a maximum of nearly two years.
Despite the physical and psychological battering Michael Eck endured on I-83, he gave up his forklift job and now drives tractor-trailers. "I often see motorists driving in ways I consider inappropriate," he says. "But I would never dream of taking vigilante justice, because I've relived the nightmare of what happened to me a thousand times."
Tuesday, 20 March 2007
FranK AnthonY IerO of MY CHEMICAL ROMANCE
Frank Anthony Iero (born October 31, 1981) is the rhythm guitarist and back up vocalist for the alternative rock band My Chemical Romance. Iero also has his own clothing line/music label/publishing company called Skeleton Crew.
Frank Iero was born on October 31st, 1981 and grew up in Belleville, New Jersey, close to the other members of his current band, My Chemical Romance.
He is also the lead singer for his band Leathermouth which is produced by Skeleton Crew. He was bullied throughout high school at Queen Of Peace in North Arlington and went to Rutgers University on a scholarship, but eventually dropped out because he felt that the band he was in was going somewhere (though he still believes he should have a backup plan, as he stated in the band's Life on the Murder Scene DVD).
He has played in various bands since the age of eleven, much like fellow bandmate Gerard Way. His mother allowed him to play in their basement to the point where she couldn't sleep.
In addition to his band Pencey Prep, Frank also played with the bands Hybrid, Sector 12, I Am a Graveyard, and briefly with Give Up the Ghost.
Frank was recruited after his band Pencey Prep, for which he was a vocalist, broke up. He was invited to join after the band decided they needed another guitarist (in addition to Ray Toro) to fill out the sound. On My Chemical Romance's first album, he played on "Honey, This Mirror Isn't Big Enough for the Two of Us" and "Early Sunsets Over Monroeville".
For a period of time, Iero also was roommates with the band's bassist, Mikey Way. He currently is the rhythm guitarist, and youngest member of the band.
Iero recently fell ill and had to leave My Chemical Romance's Japanese and Australian Tour and was sent home to the US to recover, while the guitarist from the band Drive By filled in for him.
Aside from headbanging on the stage with the band, Frank has his own clothing line, record label, and publishing company called Skeleton Crew. It is not a T-shirt company as stated by himself. He currently plays in a band called Leathermouth whose debut album will be released early 2007 and will be released on Skeleton Crew Records.
He is the shortest band member at 5’4”. He also admires Billie Joe Armstrong of Green Day, and learned to play the guitar by imitating him.
I really like him because I feel that somehow, we are alike. It’s just that I’m still an average teenager in high school, who is a frustrated emo. But someday, I hope I’m going to be like him if not better. But as of now, I have to focus and prioritize my studies or my dreams would most probably go down the drain.